The Stories We Tell

 

When you write a memoir you must choose which stories to tell—and how to tell them.

Do you write from a stream of consciousness? Can you find the edges? Do you tell the truth? Even to yourself. When you write over time, over years, reflecting, re-membering, re-writing, “down the bones” as Natalie Goldberg says, does the truth change?

Can you extract the last drop of sweet to bitter, that which James Baldwin called art, or plumb the bottom of what Jungians call the complex—the tight tangle of repressed material we carry like a moat in the eye? To heal a complex Jung says one must drink the very last drop to turn bitterness to wisdom. With your words will you cross the river Styx into the underworld and make as William Styron did “Darkness Visible”?

What we dare to write does not stop being daring when we dot the last i and cross the last T and close the computer unless we are prepared to burn our pages along with our bridges and press the delete button. But if memoir is to be a piece of our individuation we may decide to take that step that Jung called the most difficult piece of the individuation process and reach across the void and say this is my story and my story is my truth.

And there may be those who get it and there will be those who do not. But once you let it go it is not yours. It has a life of its own. It is a line in the sand and in the mind of the reader. It disappears with the tide or becomes a thorn in a shoe. Or just perhaps it touches a heart in hiding. And a door opens.

On Memoir

 

Now that my memoir is in the marketplace of Amazon.com and in the hands of people I know and people I don’t know I have a new perspective, a perspective of one who has put a message in a bottle and set it into the stream. Perhaps it will catch on a rock and be buried in the mud. Perhaps a mother or a lover or an analyst or a trauma survivor will discover it. Perhaps its words will resonate with the blues that reverberate through the timeless notes of suffering and soul.

Perhaps it will begin a conversation.

What do I want from this, a reader asked me. Part of me doesn’t want anything, I said, What I have wanted, to tell my story, I have done. Then I am reminded of something Russell Lockhart wrote in his beautiful book “Psyche Speaks; A Jungian Approach to Self and World.” He writes, “a dream wants a dream; a poem wants a poem.” He writes of Eros, that spirit of longing for connection. A memoir wants a memoir. A story, a story.

But no one speaks to this more eloquently than Carter Heyward, in her book “When Boundaries Betray Us; Beyond Illusions of What is Ethical in Therapy and Life,” written in 1993.

Says Heyward, “There is in each of us a need to be heard to speech. A need born of our souls, the place of all real meeting, in which every I-Thou and all unalienated erotic power is conceived. This need in each of us is not a pathology. It is not a weakness. It is not a sin. The need does not originate in abuse. Its roots are not shameful. It is not immature. This need is not something to be treated or healed, liberated or outgrown. It is something in each of us to be cultivated and cherished, experienced and shared, with respect and tenderness, awe and humor…. There is in each of us a need to be heard to speech. This need is the root of all genuine healing and the source of all creative revolutionary movement. It is the wellspring of our redemption, and it is the hope of the world.”

Jung wrote in a letter quoted by Marie-Louise von Franz, “One of the most important and difficult tasks in the individuation process is to bridge the distance between people.” Memoir as individuation builds bridges that lead in many directions.

Harvest

 

 

Yesterday I published my memoir IN THE TRACKS OF THE UNSEEN: MEMOIRS OF A JUNGIAN PSYCHOANALST. It is available on Amazon.com. It’s hard to describe what it means to me. More than that, it’s hard to feel into this season of harvesting after some forty years of trying to write a book and twenty some years of writing it, not without interruptions but with the constancy of purpose to tell my story. 

And the door I chose was the one without gate-keepers, the one that brings to mind the sounds of Jimmy Cliff singing “You can get it if you really want, but you must try, try and try, try and try.” The rejection slips from years back do not need to stop you. I chose the door that said, “Yes you can!”

For me self-publishing is the perfect choice because it is in the tracks of self, of my self, of the Self, that I have journeyed.

To birth this book on the cusp of Halloween feels timely.

I write in Chapter Three about the town where I grew up.

Wethersfield was an historical landmark. After ridding its territory of Native Americans, this then lily white town became known in part for its witch trials and the execution of three witches.

 

Sadly witch-hunts are not only a thing of the past.

I have found that when you live life as close as you can to the course of truth you may touch down on mysteries that unsettle the status quo. Halloween bows to the pagan, to the Celtic harvest festivals, to the hallowed darkness and the liminal edge between life and death, consciousness and unconsciousness.

In Chapter Thirteen of my memoir, as a twenty-seven-year-old single mom I introduce my first Jungian analyst.

I transferred from the bus to the subway and got off in Central Square. Climbing the littered smelly stairway up to Mass Ave, I looked up into a brilliant blue sky. I couldn’t say she reminded me of anyone I’d ever met, barely remembering what was said; but then the way she said, “She had the right name,” when I’d told her about Delores dying came back to me—that and a certain sadness in her eyes that I saw once I’d stopped crying. As I turned toward Myles’s new school, I remembered how she’d concluded that my fear of life was robbing me of the energy and motivation that I needed to move forward, the way she laid that summation down like a gauntlet.

Myles was waiting for me with a picture he’d drawn of his family.

“There’s Whitey,” he said, pointing to a sketchy circle with ears and a tail. That was another thing that had made Daveda sad, the story about Blackie….

“Can we get a pumpkin?” Myles said, kicking a path through the leaves that buried the sidewalk.

“They’re cheaper at the Stop and Shop.”

“Come on, Mommy, pleeeease.” He stretched the word out to just before it became annoying. I had sixteen dollars left from tips. His hand closed around mine as we neared the curb.

We stood on the corner in front of the market. “How about this one?” I reached for a small round one from the orange row lined up against the cracked foundation.

“How ‘bout this one,” he said, almost doubling its size.

“Look at that sky,” I said as we came out of the store, running my fingertips through his soft full Afro, his small arms wrapped around the dented oblong shape.

I had told Daveda that Myles was my lifeline and my teacher. "Quite a big job for such a little guy," she'd said.

 

 

 

Story

Stories are windows that open to the soul. In memoir we dig for memories. Unwrap them. And follow them.

 
“What is your book about?” someone asked this week. I said it was about me.

 “And?”

I said it was about being a psychoanalyst and about falling in love with one of my patients who is now my husband. “Is he still your patient?” the man said.

We are each other’s patients, I said. We help to heal each other in the sphere of patience, suffering and endurance.

When I told him that my husband had been in analysis with me for only nine months before we ended what some call “the treatment,” he laughed and said, “So you had a baby!”

He got the soul of that story, that which is born out of holding the tension of the opposites. The symbol, Jung said, is the best expression of what we cannot know.

 

My memoir cuts a path along a psychological and spiritual edge in the territory of soul. What I’ve always loved about Jungian psychology is that place is its home. Generally psychology serves an effort to decode, to understand and bring consciousness into our lives, while spirituality opens us to mystery, to the ineffable. Its consciousness is of a different order. To join the personal with the transpersonal is, I believe, an act of love.

My story follows my soul’s journey over sixty some years. I offer it because it seems to me that in the sharing of our truths we inch closer to The Truth.